Acrylic on canvas, 2021

15 × 21 cm

El Espectáculo De Fenómenos

Acrylic on canvas, 2026

60 × 90 cm

This work examines performance and spectatorship. The repeated or distorted figures suggest fragmentation — the tension between the self that is observed and the self that observes. Exaggerated expressions operate almost theatrically, evoking the spectacle of identity in public space. The title references not spectacle as entertainment, but spectacle as exposure — the uneasy line between visibility and vulnerability.

Cosas Mexicanas I: La Piñata

Acrylic on canvas, 2026

60 × 80 cm

Cosas Mexicanas es una serie arraigada en la experiencia vivida. Las obras parten de momentos, objetos y escenas que han dado forma a mi comprensión de la identidad mexicana — no como símbolos estáticos, sino como encuentros.

Esta primera pieza de la serie toma la piñata como figura central de celebración y actuación. Suspendida entre la fiesta y la ruptura, está destinada a ser observada, golpeada y finalmente fragmentada. El ritual del impacto la transforma de ornamento en revelación. A través de la repetición y la exhibición pública, la obra reflexiona sobre cómo la identidad cultural transita entre la intimidad y el espectáculo.

Invocación

Collaboration with Celena A.

(After an original drawing and mural by Celena A.)

Acrylic and marker on canvas, 2026

60 × 80 cm

Invocation is a painted reinterpretation of an original drawing by Celena A. While her work explored discovery, this version shifts toward spiritual summoning — a movement from finding something to deliberately calling it into presence. The piece exists in the tension between what is encountered and what is invoked.

El Custodio

Acrylic on canvas, 2026

100 × 150 cm

Entre la vigilancia y la vulnerabilidad, esta obra explora cómo las palabras pueden distorsionar el significado del amor.

La protección no siempre se grita.

A veces simplemente permanece.

Matar Cucarachas

Acrylic and marker on paper, 2026

29.5 × 36 cm

This drawing reverses the rhetoric of invasion and infestation often present in political discourse. By rendering symbols of enforcement and political allegiance as cockroaches occupying the space, the work questions who is labeled as a threat and who is granted legitimacy. It considers how metaphor shapes perception — and how language can reframe belonging, power, and exclusion.